I lost my job the day my son, Joe, was born, so my work-life balance as a freelance journalist has been tied to my children growing up. I’ve given them breakfasts, packed them lunches and cooked them dinners. I’ve got them to school and gone on trips. Continue reading →
This blog post is written using Dragon Dictate voice recognition software for Mac. On Sunday I broke my right arm just below the shoulder. Although I have insurance, it made more sense to try dictation software to see if I could continue working.
I’m sure with practice get faster, but it goes at this speed the whole time, I’m going to be unable to be productive. For example that last sentence I dictated with only one mistake–the software thought I said reductive instead of productive. Continue reading →
I recently completed 10 months as acting news editor of the insurance industry legend Post Magazine – so called because it was the first magazine ever sent by post. It has been going since 1840. I saw a lot of changes in those 10 months.
We switched format from newspaper to a smaller magazine design. Initially we could still put news on the front page but that was dropped in favour of a magazine cover each week. News stories inside were replaced with more analytical, heavier researched pieces. News went online. Continue reading →
I stopped commissioning stories for AOL Money this week – Wednesday to be precise. I started commissioning the predecessor site Daily Finance in December 2009. Recently I worked on the design and build of the new site and the integration of DF and its sister title Walletpop into AOL Money.
It has been a labour of love. The old DF CMS tells me “You have written 312,078 words on 522 posts.” I’ve written a fair few thousands words for AOL Money too and I have commissioned millions more. I’ve known it was coming to and end, looked forward to it even, but I’m feeling a bit sad too. Continue reading →
An email discussion with freelances today about stagnant rates prompted me to dig out an article I wrote more than a decade ago on how to get a rate rise – based on the musical Oliver. It appeared in The Journalist in December 1999. I have reproduced it below.
I was on the way to speak at the London Freelance Branch when I learned that Humphrey Evans was speaking on the same subject. I knew Humphrey would say the same as me, so I needed to say it differently A call to my musical-mad friend resulted in this presentation hastily written on the train. Continue reading →